AS
Audrey Stamm
Potter / Sculptor
May 2021 Saggar Firing 1 day Workshop
Here are all of us during the firing phase....
You can pick this up at a number of electronic stores. See the "Material" button on the main page for the places I use.
You can see the effect of using copper wire and banana peel.
Here are all of us during the firing phase....
Process
Making
Step 1: Each student was asked to prepare a few pieces by either throwing or hand building. Then prior to the workshop each piece was smoothed into a polished finish by burnishing or using Terra Sig and polishing with plastic or sponge etc.
Step 2: Then the pieces were bisque fired prior to the workshop. (See below)
Surface Treatment / Glazing
Each bisqued piece was given 2 - 3 coats of ferric chloride. During the last coat, salt, sugar and/or miracle grow was sprinkled on. Then they were left to dry completely prior to wrapping in the aluminum foil saggar.
Each student added a variety of additional combustibles, including sawdust, banana peels, copper wire, copper scrubby wire, steel wool and pine cones.
Once combustibles were added, they were wrapped up in two layers of heavy duty aluminum foil, making sure the first layer was crumpled up a bit then flattened out to allow pockets of air to create interesting patterns.
After firing, each piece was washed and then polished with either paste wax or glossy floor polish.
Bisque Firing
Final Firing
Each piece was bisque fired to cone 09.
The saggars were stacked into the gas kiln at Eversfield Ceramics. The stack was centered in the middle of the kiln to allow the heat to fully surround the stack of saggars.
Here is the firing schedule.
Cold start: Kiln was around 18 degrees C
Fired slowly to 235 degrees C. Held for 10 minutes
Moderate firing to 575 degrees C. Held for 15 minutes
Moderate firing to 660 then held again at around 660 - 670 degrees C for another 10 minutes.
Turned up the burners again to quickly fire to 720 degrees C. Then shut off the kiln and let it cool.
Materials Used
Clay
Student pieces were made from Cone 10 Plainsman 570 clay.
Firing Materials
Ferric Chloride
Sawdust, salt, sugar, miracle grow, banana peels, thin copper wire, course steel wool, copper scrubbies and pine cones were all used either sprinkled on the pots, or added to the saggar.
Name Description Saggar Materials Used Position in the “stack”
Audrey #301 Salt, sugar, sawdust, few strands of course steel wool Top Centre Right
Shelly Stout Pot Salt, sugar, miracle grow, sawdust, course steel wool Top Centre Centre
Shelly Round Pot Salt, sugar, miracle grow, sawdust, copper scrubby wire Top Front Right
Shelly Tall Cylinder Salt, sugar, miracle grow, sawdust, banana peel Top Centre Left
Shelly Small Cylinder Salt, sugar, miracle grow, pine cone Middle Centre Right
Kelly Round Pot Salt, sugar, sawdust, banana peel Bottom Middle Right
Leslie Oval Stubby Salt, sawdust, copper wire, banana peel Bottom Centre Right
Joyce #304 Salt, sugar, miracle grow, course steel wool, sawdust Middle Front Left
Kelly Stout Pot Salt, sugar, miracle grow, Pine cone, copper wire Bottom Centre Centre
Leslie Vase Miracle Grow, sawdust, pine cone Bottom Back Left
Joyce #305 Salt, sugar, miracle grow, copper wire, steel wool, sawdust Bottom Front Right
Joyce #307 Salt, sugar, miracle grow, sawdust, banana peel, Copper Scrubby Top Front Centre
Kelly Wavy Salt, sugar, sawdust, random steel wool Bottom Centre Right
Lynn Vase Salt, sugar, pine cone, steel wool, sawdust Top Centre Left
Lynn Round Sugar, miracle grow, sawdust, copper wire Middle Back Left
Kelly Pregnant Pot Salt, sugar, miracle grow, sawdust, copper scrubby, banana peel Top Centre Right
Lynn Little Vase II Salt, sugar, miracle grow, sawdust on bottom, Steel wool Bottom Centre Right
Audrey #209 Salt, sugar Bottom Back Left
Audrey #207 Salt, sugar, Miracle grow, steel wool Bottom Back Right
Kelly Stout Vase Sawdust, copper wire Bottom Centre Middle
Kelly Tall Bump Salt, sugar, steel wool, pine cone Bottom Centre Middle
Leslie Square Salt, sugar, miracle grow, steel wool Bottom Front Left
Results
Each of the pieces were very different. Depending on where in the stack they were fired, the materials used within the saggar, how much material, how thick the piece was and shape. What was surprising is that each piece was so entirely different, even if they had the same/similar material within the saggar.
Comments
The pieces that were on the outside of the stack received more heat as the aluminum foil was more broken down on the outside. This could have been the largest factor in getting such a variety of results. The next time i would try to make smaller stacks and separate them on shelves to see if it makes a difference.